Black Music Month | Bobby Womack
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Labels: Black Music Month
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Labels: Black Music Month
e band with his soulful, soaring vocals ever since. This Detroit-based traditionally trained black gospel group was the first traditional gospel group to incorporate rock, jazz, and soul into their music. They were harbingers for the contemporary Christian music movement popularized in the late '70s by Andrae Crouch, Amy Grant and the Winans.Posted by Sauce @ 16:20 0 commented
Labels: Black Music Month
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Labels: Black Music Month
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Labels: Black Music Month
isters Love on 'Mr Fix-it Man'.) His other albums at the label included 'The Mark Of The Beast' (1975); 'Concert In Blues' (1976), including 'Party Down'; 'Color Her Sunshine' (1976), including 'I Like Everything About You', 'Havin' A House Party' and 'Fully Exposed' before he joined the Whitfield label for two albums, 'In Tune (1978), including 'Easy Does It', and 'Midnight Dancer'. In 1982, he wrote 'Keep The Fire Burning' for Gwen McCrae and returned to Motown for three collaborations. The first was a duet for Aretha Franklin and The Four Tops 'What Have We Got To Lose' (1983), the second a song / production for Sammy Davis Jr., 'Hello Detroit' (1984), and the third a soundtrack album for Berry's film 'The Last Dragon' (1985).Posted by Sauce @ 00:55 1 commented
Labels: Black Music Month
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Labels: Black Music Month
and features little more than a spoken introduction and a guitar solo by Eddie Hazel.Posted by Sauce @ 22:26 0 commented
Labels: Black Music Month
og also included Bill Withers Live at Carnegie Hall, 'Justments, and The Best of Bill Withers. Withers contributed "Better Days" to the soundtrack of the Bill Cosby 1971 western Man And Boy, released on Sussex. There was a duet single with Bobby Womack on United Artists, "It's All Over Now," from summer 1975.Posted by Sauce @ 17:39 1 commented
Labels: Black Music Month
ecords sound that the vocalist and producer Willie Mitchell developed made Al Green the most popular and influential soul singer of the early '70s, influencing not only his contemporaries, but also veterans like Marvin Gaye. Green was at the peak of his popularity when he suddenly decided to join the ministry in the mid-'70s. At first, he continued to record secular material, but by the '80s, he was concentrating solely on gospel. During the late '80s and '90s, he occasionally returned to R&B, but he remained primarily a religious performer for the rest of his career. Nevertheless, Green's classic early- '70s recordings retained their power and influence throughout the decades, setting the standard for smooth soul. ~ Stephen Thomas Erlewine, All Music GuidePosted by Sauce @ 14:13 1 commented
Labels: Black Music Month
ican-American singers, musicians, and composers whose achievements have enriched our culture and enhanced our lives.
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Labels: Black Music Month
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